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FAQ

Buying print,
explained.

The questions a marketing coordinator or an office manager actually asks a printer — what a quote needs, what bleed is, what to check on a proof, and why presorted postage costs less.

01 — Getting a price

What a quote
needs.

How do I get a price?

Send the specs through the quote form or call (763) 475-1826. Quantity, finished size, how many inks, the stock, how it folds or binds, whether it mails and when you need it — that is enough to price almost any job.

Why are there no prices on the site?

Because a printed price would be wrong for nearly everyone who read it. The same brochure at 250 copies and at 25,000 copies is two different manufacturing processes with two different cost structures. Send the specs and you get a real number instead of a starting-from figure.

Is there a minimum or a maximum quantity?

Quantity decides the method rather than whether we take the job, so ask. Short runs go digital because there is no plate to make; longer runs go offset because the plate cost spreads across every sheet after it. If you are near the crossover, ask for the price both ways on one quote.

02 — Offset, digital and color

Which press,
which ink.

Should my job be offset or digital?

Offset transfers ink from a metal plate to a rubber blanket and from the blanket to the sheet. There is set-up in making a plate for each color, and after that the cost per sheet is low — so offset wins as the run grows, and it is what you want for spot colors and larger sheets. Digital images the sheet straight from the file with no plate at all, so a short run costs a fraction of the offset set-up. Omega runs both and will quote whichever is cheaper at your quantity.

Can you match my brand color exactly?

Ask for a spot color. A spot ink is mixed to a specific formula and printed from its own plate, so it lands on the same color job after job. Process color builds the shade out of cyan, magenta, yellow and black screens, which is fine for photographs but shifts with the stock and the press. Omega still prints spot colors for identities and logos alongside four-color process work.

How many colors can you print?

One to five color offset. Four of those are the process inks — cyan, magenta, yellow and black — which between them produce full-color photographs; a fifth unit lets a spot ink run alongside the four process inks in the same pass.

What paper should I use?

Coated stock holds ink on the surface, so photographs stay sharp and colors stay bright; it comes gloss, silk or matte. Uncoated absorbs a little ink, reads softer, and is what you want if anyone has to write on it. Weight is the other half: text weight for pages inside a booklet, cover weight for the cover, a card for business cards and postcards. Describe the piece and we will suggest something.

03 — Artwork and proofs

Files and
proofs.

How do I supply artwork?

Upload it on the send a file page or email it. A press-ready PDF is best — PDF/X‑1a or PDF/X‑4, fonts embedded, images at 300 ppi at final size, CMYK rather than RGB. That page walks through all of it.

What is bleed, and why do you want 1/8 inch?

Bleed is artwork extended past the trim line, normally 0.125 inch on every edge the ink runs off. Printed sheets are trimmed in stacks and the knife wanders a hair through the lift, so art that stops exactly at the trim leaves a white sliver on some copies. Extending the background past the line is the entire fix — and keep type and logos 1/8 inch inside the trim for the same reason.

What is a proof, and what should I check on it?

A proof is the last look before plates are made and the press is set. Omega proofs by emailed PDF or by hard copy. Read the spelling, the phone numbers, the web addresses, the page order and the folds — content errors are yours to catch and they are the expensive ones. A PDF on an uncalibrated screen cannot tell you the truth about color, so ask for a hard copy when the color is the point.

Can you lay the piece out, or do I need a designer?

Prepress here handles everything from a simple letterhead to a full-color catalog, so a job can arrive as finished artwork or as content that still needs setting. Say which when you ask for a price.

04 — Finishing and mail

After the
press.

Saddle stitch or coil — what is the difference?

Saddle stitching nests folded sheets inside one another and staples through the spine. It is the cheapest way to bind a booklet, it looks like a magazine, and the page count has to be a multiple of four. Coil binding punches holes and spins a plastic coil through them: any page count, it opens dead flat, and it folds all the way back on itself — which is why manuals, calendars and anything used on a workbench get coiled. Coil color and size are your choice.

What else can you do after the press?

Folding — letter, Z, parallel, double parallel and more, up to four folds in a unit — plus saddle stitching, coil and GBC binding, cutting, three-hole drilling, padding, scoring, wafer sealing and shrink wrapping. It is all in the same building, so a booklet is printed, folded, stitched and trimmed without leaving it.

Can you mail the job for us?

Yes. Addressing runs on a Cheshire ink-jet transport that wafer-seals in line with addressing, and a Bell & Howell inserter puts up to seven pieces into one envelope. Omega handles bulk presorted mailings, standard and first class. Tell us it is a mailing piece before it is designed — the postal requirements affect the size, the fold and where the address can sit.

What is presorted mail, and why does it cost less?

Presorted mail is sorted by ZIP code and bundled into trays before it reaches the post office, which is work the USPS would otherwise do itself. It pays for that with a lower postage rate. The Postal Service sets the floor — 200 pieces (or 50 pounds) for bulk standard, 500 for presorted first class — and below that a piece goes at the single-piece rate. On a run above it, the postage saving is usually larger than the cost of the sorting.

05 — The shop

The shop
itself.

Where are you?

15090 23rd Ave N, Plymouth, MN 55447 — off the 494 corridor in the west metro. You are welcome to drop off hard copy or look at a press sheet in person; contact and directions are here and the towns we print for are on the service areas page.

How long have you been printing?

Since 1987. Omega Lithograph was founded by Kevin Hanson, and many of the people here have been with the company since the beginning.

Start a job

Still not sure?
Just ask.

Call (763) 475-1826, email print@omegalith.com, or send the specs through and we will quote it.

ShopPlymouth, Minnesota
Servingthe Twin Cities west metro